GALLETAS GRATIS AQUI!!!!!!!!!!!!

Okay, ya que tengo tu atencion. Soy Emillie Hernandez, soy escritora, dibujante y lectora compulsiva. Si sigues te blog no vas a ver cosas de un solo tema, vas a ver de todo. Desde mi propia arte hasta musica de todo tipo. Si tienes una pregunta para mi, no dudes en escribir con gusto la respondere

 

ghoularmin:

enerjaeger:

enerjaeger:

one time in an interview Zac Efron said that he loved death note and idk if he was just saying that bc the interviewer mentioned it or what but the point is Zac Efron may be a closet weeb

also this

image

image

does this look like a coincidence to  you?

jaaaaaeger:

gracefullikeagazelle:

knives-and-pipes:

upgraders:

most private thing im willing to admit: im not good at estimating how much pasta is enough for one person 

image there’s a tool for that

I’m sorry, does that scale progress from a child to a HORSE?

image

doyouwannabuildasnowman:

invanity-wetrust:

ticklesthesomething:

geminihoneybee:

olitwist:

toluicacid:

pink-nation-xoxo:

disney-rapunzel-merida-vanellope:

Let’s give a moment to those mothers that can not have a child…

and to the husbands that stick by their wives regardless of wether they can have a child

This was the most realistic Disney movie ever.

yeah the part where the house flies off due to a bunch of balloons was very realistic 



Actually they consulted an architect about how many balloons exactly it would take to do that to a house of that exact size and weight. They calculated that moment using a physics engine and took everything into account. Unless a professional architect as well as all of the physics professors who put their effort into that highly advanced physics engine are wrong, that take off was actually very doable and scientifically accurate.

GET WRECKED SON

It just got better

doyouwannabuildasnowman:

invanity-wetrust:

ticklesthesomething:

geminihoneybee:

olitwist:

toluicacid:

pink-nation-xoxo:

disney-rapunzel-merida-vanellope:

Let’s give a moment to those mothers that can not have a child…

and to the husbands that stick by their wives regardless of wether they can have a child

This was the most realistic Disney movie ever.

yeah the part where the house flies off due to a bunch of balloons was very realistic 

Actually they consulted an architect about how many balloons exactly it would take to do that to a house of that exact size and weight. They calculated that moment using a physics engine and took everything into account. Unless a professional architect as well as all of the physics professors who put their effort into that highly advanced physics engine are wrong, that take off was actually very doable and scientifically accurate.

GET WRECKED SON

It just got better

zomzie:

essayofthoughts:

indigoumbrella:

essayofthoughts:

indigoumbrella:

huffpostarts:

In The Not So Distant Future, Glow-In-The-Dark Trees Could Replace Street Lights

Is that… is that even healthy?

There are sea organisms and fungi which glow in the dark and there’s fireflies and jellyfish which glow in the dark. It doesn’t do them any harm nor does it do the people around them any harm. I would say its pretty healthy, as well as it would mean more photosynthesis happening in cities which mean cleaner air.

I was just curious about how they were doing it and for some reason I didn’t think to click the link. But thanks! It makes more sense now. I was afraid it was some kind of chemical thing.

nah just genetic modification using existing bioluminescent genes. Genetics is really cool, and so is bioluminescence. I mean they’ve already made pigs glow using jellyfish genes and pigs are waaay more complicated than trees iirc. So they’re actually (i think) less likely to muck it up with trees.

In which case

GLOWY

FORESTS

GLOWY

TREES

GLOWY

EVERYTHING

(I like glowy things)

this has “fantasy magical forest” written all over it and I love it

anatomicalart:

briannacherrygarcia:

itscourtoon:

bathsabbath:

thorhugs:

compactcarl:

egriz:

im not even an artist and these prices are hurting my feelings 

This is what I have to dig through every time I look for new jobs to apply for.

For non-artists, let’s give you a little perspective.

For me, an illustration takes a bare minimum of 6 hours. Mind you, that’s JUST the drawing part. Not the research, or the communications, or gathering information. Just drawing.

That’s if it’s a simple illustration.

My art deco or more detailed stuff can take 20+ hours each.

Even simple, cartoony things still take at least 3 hours.

Let’s go with the second one. 2 illustrations for $25. Figuring 6 hours each. 12 hours total, for JUST the drawings. That’s approximately $2.08/hour. 

Asking these prices is an insult. But what’s even more hurtful is there are people out there that will take these jobs. Which only encourages rates like this to be acceptable. And there are people who will try to say these are just what you have to do to get started.

I believed that. So my first coloring gigs were just $10/page. The day someone offered me $25/page for just flatting work, I realized just how wrong I’d been. I’m still not making the rates I’d like, but now I refuse anything below $25/page. Because there is value in my time.

In any standardized industry, even ones that pay piece rate over hourly, these numbers are criminal.

Do your fellow artists a favor. Never accept jobs like these. There are others that pay legitimate rates. Or at least closer to legitimate.

Such baby bullshit. Don’t even get out of bed for these rates.

    If you are an artist who wants to make money off their art, I highly suggest you buy The Graphic Artist’s Guild Handbook. It goes in depth about copyright issues and even contains contract and model release templates. The 2013 book *I believe* states the average professional charges $72 an hour. This article calculated that to make a 40k annual salary you would need to charge about $60 per hour.

  After graduating from Art Center in 2012, I think I asked for somewhere between $35-45 an hour and got laughed at by multiple big name clients, which was infuriating, sadly expected, and terrifying with over $100K worth of student loans staring me in the face. If they tell you it will be “great exposure” that’s a red flag. Ask yourself how their exposure can compare to your Tumblr, Twitter, Instagram, Pinterest, Flickr and Facebook pages combined? 

And when you do get a decent paying gig, PROTECT YOURSELF. You have the right to negotiate and revise a contract. Do not start a job until you have a contract signed. If they don’t provide you with one, MAKE ONE. And make sure you have your bases covered. You can specify in a contract that maybe two revisions are included in your cost, and if they ask you to revise the piece more than twice, they will have to pay extra. In terms of payment schedule, I usually do the 50/50 Method (50% before, 50% after) or the 3/3/3 Method (1/3 before, 1/3 in the middle, 1/3 after all work has been received). Both of those are pretty standard in the industry, as they guarantee you will get compensated for your time, even if the job goes bad.

Remember you have a skill, and you have spent time honing that skill and you deserve to be adequately paid for that time and effort. You will have clients dismiss you because, honest to God they think, “Well, I could do that if I wanted. Hell, my five year old does it now.” No they can’t, because they didn’t, they don’t, they won’t and they probably never will. And good luck hiring a five year old. They can’t keep a fucking deadline.

And in a last ditch effort they’ll say, “But that drawing only took you an hour!” Son, that drawing took me 20. fucking. years.

10 Dollars for 1 minute of animation.  Oh my god my heart.  It took my team 6 months and a team of 12 to make a 4 minute short. 

The Graphic Artist’s Guild Handbook

I second this book! I’ve had it for several years now, and it’s been a HUGE help in my work as a freelance artist. It gives great advice on what to charge for different areas of art!

Please remember. Your art is worth a respectable payment! Accepting ridiculously low prices actually hurts the arts/illustration/animation communities because it makes employers believe they can employ people without offering decent pay.


Check the internet if you need help figuring out what you should be charging for your commissions. Invest in the books that will inform you professionally, and put your foot down if you think someone is trying to cheat you out of your time and hard work.
You have a right to refuse a job, and/or request decent payment. If your employer denies a you decent pay, well then they’re probably not a very good employer.
Do not undersell your skills. it is bad for the art community and you are worth more then that.

comedycentral:

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